Wednesday, 4 December 2013
Language and power
Friday, 22 November 2013
commentary of article
Wednesday, 6 November 2013
asymmetrical conversations
Louise: Hey lul ,
Lauren: Wassapening G
Louise: (Laughs) Whats up homie
Lauren: Ok stop talking gangster , have you done the work for art girl ?
Louise: Shit.. i aint done it!
Lauren: Manz is gonna get slapped up by miss!
Louise: Shutup
2) Someone with less power than me
Lauren: Move out my way!
Year 7: Okay miss
Lauren: No its mam'
Year 7: Okay mam'
Lauren: Thats what i thought weasel , now give me your lunch money , NOW!
Year 7: Okay mam'
Lauren: Mwhahahah
Year 7: (runs away crying)
3) Someone with more power than me
Miss Beckett:Lauren you are very behind on your work
Lauren: I know
Miss Beckett :So you know you are?
Lauren: Well , erm
Miss Beckett: Enough nonsence , you need to get it together girl
Lauren: Okay Miss
Miss Beckett: Okay Miss Beckett
Lauren: Okay Miss Beckett
Miss Beckett: Thats enough now , get on with it!
Monday, 4 November 2013
Grouping task
My second grouping of texts is text B and text F , i have picked these two texts becaus i beleive there are a range of similiar linguistic methods used which i can identify.Simiarly the grammar is very a-like because both texts use short sentences , also the discourse structure is very similar because they are conversations with not much purpose but text B involves more questions.The register of both of the texts is spoken english because both texts are converations but text B is more formal due to the characters within the text , text F is between a mother and son so it is more personal and a very casual chat where as text B is quite formal due to words such as 'sir' which gives the impression that Balwick has a higher level of higherarchy as he is called 'sir' by Blackladder.Both texts are also similar because neither texts have much purpose other than to entertain.There are many similarities but there are some differences , text B is a actual script from a television series and text F is just a transcript with a conversation between a mother and her son. Both texts use phonology but use it in different ways , text F would say (laughs) where as text B would use stage directions such as "thats the scratching noise".
Monday, 14 October 2013
Wilfred owen
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares(2) we turned our backs
And towards our distant rest(3) began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots(4)
Of tired, outstripped(5) Five-Nines(6) that dropped behind.
Gas!(7) Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets(8) just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime(9) . . .
Dim, through the misty panes(10) and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering,(11) choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud(12)
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest(13)
To children ardent(14) for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.(15)
Wilfred Owen
8 October 1917 - March, 1918
Wilfred Owen uses careful chosen words to convey the pain and suffering of the weary soldiers.
There is not a clearly defined structure to the poem, although Owen does make use of rhyme, mostly on alternate line endings.
The poem opens with a description of trench life and the conditions faced by the soldiers. Then comes the gas attack, and the poem offers a graphic description of the effects of such an attack.The opening stanza is characterised by language about 'fatigue': the soldiers 'marched asleep', they 'trudge', and 'limped on'. They are 'deaf', 'lame' and 'blind'; all rather pitiful language intended to reveal the reality of war and its effects.
The speaker describes a vision in a dream of a gas victim 'guttering, choking, drowning'. The listed verbs are associated with a lack of air and death.
The language used in the sections depicting the gas attack is strong, representing both the anguish of the victims of the gas attack as well as the effect on those haunted by what they have seen: 'watch the white eyes writhing in his face, / His hanging face'. The repetition of the word 'face' makes it clear which element disturbs the speaker most: the transformation in the face of the victim. The use of alliteration on the 'w' sound reflects the agonised twisting of the gas victim.
The opening of the poem suggests Owen pities the state to which the soldiers have fallen. Instead of youthful, strong fighters they are 'Bent double', 'Knock-kneed, coughing like hags'. Owen's imagery presents the men as prematurely old and weakened. War has broken these men, and they are described in the most unglamorous, inglorious manner. Owen's bitterness at this transformation is obvious.
Owen's disillusionment with war is also clear from the closing lines of the poem. After describing the horrifying effects of the gas attack he addresses the reader:
'My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie'
He is rejecting the accepted attitude back at home that serving your country in war is glorious. He is critical of the 'high zest', or great enthusiasm, used to convince men to go to war. He sees war as brutal and wasteful of young lives. His choice of the word 'children' is also significant; impressionable young men are almost lured to war by the promise of 'desperate glory'.
Futility
Gently its touch awoke him once,
At home, whispering of fields unsown.
Always it awoke him, even in France,
Until this morning and this snow.
If anything might rouse him now
The kind old sun will know.
Think how it wakes the seeds—
Woke, once, the clays of a cold star.
Are limbs so dear-achieved, are sides
Full-nerved,—still warm,—too hard to stir?
Was it for this the clay grew tall?
—O what made fatuous sunbeams toil
To break earth's sleep at all?
Futility is written in 14 lines like a sonnet. It is not structured like one though. This poem has two seven-line stanzas.
The two-stanza structure reflects the poem's change in tone, from hope and confidence to despair.
The poem begins with a statement that suggests an action happening now. The sun is seen as something positive. The second stanza begins with a different statement. The narrator is no longer thinking of the man who is dying but life and death generally. We can therefore work out that the man has died and the sun has made no difference. The sun then becomes the object of the poet's anger.
The title of the poem is blunt, simple and strong. The poem is going to be very clear and straightforward. We can call this 'bleak realism' – he is being direct about his grief and anger.
Imagery
The key image is the sun. In the first stanza this is a positive force and the imagery is all about waking up. Words such as "move him"
, "gently"
, "whispering"
,"rouse"
all suggest a soft, motherly force. The sun is "kind"
and "old"
.
In the second stanza the image of the sun becomes negative. This is expressed in the expression "cold star"
. The contradiction between the star, which is hot, and the description "cold"
is called an oxymoron. This shows that the sun may be literally warm but it has no feelings. It does not care that it creates life only to watch it die. The image also reminds us that people, when dead, go cold. Instead of the "kind old sun"
, all the poet can now see is "fatuous sunbeams"
working away. "Fatuous"
means 'stupid but thinking you are clever'.
Sounds
The half-rhymes bring the poem together. For example in stanza one sun-sown, once-France.
There are full rhymes (snow-know and tall-all) at the ends of the stanzas. By creating a pattern of rhymes that are not exact, however, he is expressing a sense of broken harmony beneath a seemingly strong surface.
Attitudes, themes and ideas
The poem is an elegy – something written to remember someone who has died. Traditionally these are long poems that list the great deeds of the dead person. In contrast, Owen's poem is short and compact. There is no reason to celebrate a life. There is no hope anywhere. Life is 'futile'. The poem about his friend becomes an elegy for all mankind.
The anger comes through personal knowledge of the dead man's peaceful past. It is made much stronger by the way Owen uses metaphors to apply this to all life. For example "fields half-sown"
which refers both to the farm the dead man grew up on and the soldiers being cut down in battle like corn at harvest-time.
Owen does not reach any conclusions in the poem (this too would be futile). Instead he expresses his anger in a series of rhetorical questions at the end (lines 11, 12 and 13/14). He is angry not just at war or the sun but at the whole of Creation as well.
Monday, 30 September 2013
connoatives
The word RED in this advertisment really stands out to me as it connotes that this product is very seductive and i can imagine it attracts alot of readers due to the fact it has kate moss , a very famous model , advertising this product for rimmel. In the top left corner of this page it has the effect that kate moss has actually wrote her name with lipstick.
The word DELICIOUS in this advertisment connotates that this fragrance smells "delicious" like the taste of the "delicious" apple in her hand. The designer DKNY (Donna Karan New York) is associating the "big apple" (associated with newyork) into this product . There is a reflection of the famous empire state building in the product and this advertisment shows that it is aimed at glamourous women who want to smell "delicious".
The pronouns "I" connotates that all this woman needs is her levis. This photo is set up in a very natural scenery to show that the jeans may be made from natural materials. A woman with a very slender body is used for this photo to entise readers and she is topless to make it seductive which draws readers in.
The words "super glossy" connates that this product will make your hair shiny. The word glossy gives the impression that this product is good for your hair. Also Cheryl Cole , a icon for women , is used for this advert to entise readers to make people think they can have hair like hers if they use this product.
Saturday, 21 September 2013
Grammar and syntax
Morbidly obese boy aged TWO becomes youngest in world to have weight loss surgery.
Tesco 'Back to School' aisle pictured filled with bottles of ALCOHOL.
This is a headline used by the Mirror and it serves the purpose to entertain readers by shocking them.This is obviously a article about a misplaced sign and it is clearly a joke as this would not normally happen. The word Tesco is a proper noun to show that this is a big company and in a way it is used at the beginning of the sentence to humiliate Tesco as a huge company like this should not be slipping up and make mistakes like this. The words 'filled with bottles' really indicates just how many bottles there were and bottles is a collective noun.At the end on the sentence it says 'ALCOHOL' and this is a concrete noun to indicate how bad that alcohol is associated with the children's 'back to school' area and it is like it is a joke implying that most children break the law by drinking so the back to school area should now be swapping their pens and pencils for bottles.